
What Makes Giancarlo Run?
Giancarlo
Parretti, Cannon and The Wounded Lion
"Flamboyant and
Mysterious"
|
No, not a still from a Breakdance 3
promo, but Mr Parretti (in red)
sporting an MGM outfit just after buying the Company and merging it with
Cannon/Pathe Communications Corp. |
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cannon.org.uk comment
|
All I know about Mr
Parretti is what I recall from the late 1980s when he reportedly bought The
Cannon Group, Inc. for $US200,000,000 and quickly changed the name and then
went on to buy MGM. That’s what I think
I know from the press then and the articles below (all dated). I’ve also
included an open letter from Mr Parretti to try and give some balance and if
you have anything else I can add from Mr Parretti’s perspective please
contact me. So, if interested, read
the articles and decide for yourself.
You might want to check out the article (“Who Killed Cannon?”) here Whatever you decide,
there’s no denying Mr Parretti is certainly an interesting figure and a lucky
man. Why lucky? Had he been accused in today’s USA he may have found himself
in jail for 25 years –guilty or
innocent. These articles cover a
decade roughly of Mr Parretti taking an interest in The Cannon Group, Inc. to
his eventual purchase of MGM. One of the oddest thing I’ve seen about Mr Parretti is
this 1990 promotional VHS tape from the Netherlands (where his bankers were
of course): click for larger image Note the “GIANCARLO PARRETTI PRESENTS” and the combined Cannon copyright notice at
the bottom. Not sure what was happening there but I’m sure there’s a good
story why. Either way, there’s no listing for Mr Parretti at the IMDb Mr Parretti mentioned again on a UK cinema Cannon Group
poster: click for larger image Slightly different on the US poster All spelling/grammar is as I found it in these
articles. |
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December 16, 1988
Group Set to Buy Film Giant Pathe
By DEBORAH
WISE, SPECIAL TO THE NEW YORK TIMES
A French investment group with ties
to the American film maker Cannon Group Inc. is ready to take control of the French
film company Pathe-Cinema in a deal valued at about $157 million.
The deal is expected to give Cannon
access to Pathe's large film library.
This is a deal that also involves
the film heritage of France. Indeed, the French Government has expressed its
concern that Pathe might fall into foreign hands. Founded in 1896, Pathe is
renowned for producing films like Luchino Visconti's ''The Leopard'' and the
French classic ''Les Enfants du Paradis,'' directed by Marcel Carne. Offer of
$151 a Share
The investment group M. T.
Investissements is expected to take control shortly after it begins its
$151-a-share tender offer Friday morning. Banque Rivaud, which holds 52 percent
of Pathe, has agreed to sell its stake. Pathe's three minority shareholders, Compagnie
Financiere de Suez, Lyonnaise des Eaux and Societe Generale de Belgique S.A.,
are expected to sell their 42 percent stake.
M.T. Investissements is led by the
75-year-old French businessman Max Theret and includes Giancarlo Parretti,
president and chief executive of Cannon.
Mr. Theret, who founded one of
France's largest record and book discount chains, FNAC, said he planned to use
Cannon's distribution network in the United States and exploit Pathe's film
library. That library includes more than 400 feature films, 3,640 hours of
newsreels dating back to 1905 and 1,200 hours of television series. A Film
Distributor
Pathe does not produce films today,
but it distributes them through a network of 150 theaters in France. For the
last year it has distributed films made by Cannon.
M. T. Investissements received
approval for its bid after assuring the Government that it is 80 percent
French-owned, with Mr. Parretti holding less than 20 percent.
''I am very happy to be out of the
dark,'' said Pierre Vercel, the president of Pathe. The shares of Pathe had
been suspended on the French stock exchange since Sept. 9, when Banque Rivaud
announced it was looking for a buyer. Initially, the high asking price, which
is 300 times 1987 earnings, deterred interest.
''I have known Mr. Theret and find
him a very dynamic man for his age,'' Mr. Vercel said of his new boss. Mr.
Vercel is also familiar with Mr. Parretti, through Pathe's distribution
agreement with Cannon.
Cannon, which recently experienced
financial difficulties, is known among other things for its ''Superman'' films,
its offbeat hit ''Runaway Train,'' and Franco Zeffirelli's ''Otello.'' But
Cannon has not had a recent hit.
©2008 The New York Times Company
Original article http://query.nytimes.com/gst/fullpage.html?res=940DEFDB113BF935A25751C1A96E948260&sec=&spon=&pagewanted=print
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March 7, 1989
Italian Financier's
Plan for Cannon
SPECIAL TO
THE NEW YORK TIMES
The Italian financier Giancarlo
Parretti is asking shareholders of Cannon Group Inc. to approve a plan under
which he would gain voting control of the Los Angeles film company. In a proxy
statement filed with the Securities and Exchange Commission, Mr. Parretti said
he would raise his stake in Cannon to 62.5 percent, from 39.4 percent, and
change its name to the Pathe Communications Corporation. Mr. Parretti, who is
Cannon's chief executive, also controls Pathe Entertainment Inc.
The plan is supported by Mr.
Parretti and two major Cannon shareholders, Menahem Golan and Yoram Globus, so
it is assured of approval.
©2008 The New York Times Company
Original article http://query.nytimes.com/gst/fullpage.html?res=950DE1D9153EF934A35750C0A96F948260
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March 8, 1990
Ambitious Financier Behind Pathe
By ROGER
COHEN
Giancarlo Parretti, the Italian
financier, has stepped smartly from country to country and left a trail of
lawsuits as he built a financial empire, rising far from his humble beginnings
as a waiter on the Queen Elizabeth ocean liner.
An exuberant man given to hyperbole
over his ambitions and vagueness about his finances, Mr. Parretti has said he
intends to build the world's biggest movie group. Yesterday, his Pathe
Communications Corporation agreed to buy the MGM/UA Communications Company for
$1.2 billion in a deal that appears to advance his goal significantly and to
quash, at least temporarily, persistent rumors that his appetite for media
companies is not matched by the means to acquire them.
Mr. Parretti, who is 48 years old, could
not be reached for comment. His spokesman, Craig Parsons, said Mr. Parretti had
accumulated his wealth by ''buying companies in real estate and turning them
around and selling them.''
Flamboyant and Mysterious
Certainly, he has spent freely
since 1987, emerging as a flamboyant, if mysterious, force on the Hollywood
scene, where his Beverly Hills mansion boasts paintings by Picasso and Goya.
Proclaiming that communications - along with food and tourism - is an industry
of the future, he bought control of the Cannon Group about two years ago,
renaming it Pathe Communications. Mr. Parretti holds about 63 percent of the
stock in the movie company.
His media acquisitions, which began
with the French film company Pathe Cinema, have been largely coordinated
through a web of closely held financial holding companies based in Panama and
Luxembourg. The value of these assets, and the origin of the cash behind them,
is unclear.
Until three years ago, Mr. Parretti
had shown little interest in the movie business. Born in Orvieto, north of
Rome, he worked as a waiter in London before moving to Sicily, where he said he
used Government aid to buy and sell at least four hotels.
His next venture, a newspaper, was
declared bankrupt in 1981, and Mr. Parretti is now on trial on charges that he
falsified its balance sheet.
More Purchases
Mr. Parretti bought three Italian
insurance companies in 1983 and sold them two years later to a Geneva-based
merchant bank, Sasea Holding. Then he switched his interests to France, where
for a while he said he was a representative of the Italian Socialist party, and
to Spain, where he acquired real estate and tourism interests. The Spanish
authorities have questioned Mr. Parretti over what they said was the illegal
export last year of $459,000 to Andorra. No charges have been brought.
In Paris, meanwhile, Mr. Parretti's
movie interests began with a meeting with the Rev. Cristiano Pagano, an Italian
priest who was making a film about a young girl's vision of the Virgin Mary.
Mr. Parretti invested in the movie and was rewarded with a private screening at
the Vatican last year with Pope John Paul II.
He went on to buy control of Pathe
Cinema, France's oldest movie company. But following French Government
challenges and investigations into his past, Mr. Parretti reduced his holdings
to a minority stake.
©2008 The New York Times Company
Original article: http://query.nytimes.com/gst/fullpage.html?res=9C0CE1D81430F93BA35750C0A966958260
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April 2, 1990
Pathe's Chief Gets 4-Year Jail Term .
The president and chief executive
of the Los Angeles-based Pathe Communications Corporation, has been sentenced in
absentia in Italy to nearly four years in jail after being convicted on charges
of fraudulent bankruptcy, an Italian news agency, ANSA, reported on Saturday.
The agency said the charges related
to a Naples newspaper chain owned by Giancarlo Parretti. The chain went
bankrupt in 1981 after two years of operation, and two years later, the company
that managed the chain also went bankrupt.
A Naples court found the Italian
financier and six others guilty of having concealed accounts relating to the
business operations of the failed companies, the news report said, and
sentenced Mr. Parretti to three years and 10 months in jail.
Mr. Parretti said the charges
stemmed from the Italian company's failure to file its balance sheet on time
and that the failure occurred after he had left the company. ''I will prove my
innocence as I have done in the two prior cases in which I ultimately prevailed
upon appeal,'' he said.
Last month, Pathe began a
$20-a-share tender offer, for a total of $1.22 billion, for the MGM/UA
Communications Company.
©2008 The New York Times Company
Original article: http://query.nytimes.com/gst/fullpage.html?res=9C0CE3DA153CF931A35757C0A966958260
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Who is Parretti? by Edward Jay Epstein |
|
Giancarlo Parretti, stunned Wall
Street by bidding $1.2 billion in cash for MGM/ UA-- a movie company which both
Rupert Murdoch and Ted Turner had looked at only months before but decided not
to make an offer. Even more surprising, in the documents he filed with the SEC,
he specified no source for where the money was coming from-- other than an
"oral, non-binding agreement" for $200 million with an unnamed
company-- and he did not even have an investment banker. "I do not need
Wall Street's money", he told one New York investment banker, attempting
to offer his services to him, "I can get one billion, two billion, whatever
I need from European banks".
Parretti is Hollywood's latest Hero
From Zero mystery. As later as 1982, he was an employee of a fish processing
factory in Hong Kong. Now his empire, which includes movie studios, theaters,
film laboratories, distributors, and production companies, is worth, according
to Variety, $1.5 billion. In 1988, he bought the oldest film company in France,
Pathe S.A., as well as the Hollywood studio, Cannon Films, which was best known
for Ninja and vengeance fantasies (and which he re-named Pathe Communications).
From that point on, at a breath-taking pace, he made announced a new
multi-million dollar deal almost every month. In December 1988, it was a $160
million film production contract for Menachin Golan, the Israeli entrepreneur,
who with his Israeli cousin, Yorus Globus, built Cannon into a trans-oceanic
film maker. In January 1989, he announced a $80 million plan to bail out Dino
Delaurentus' movie studio from bankruptcy so he could merge it into his own. In
February, he made a $138 million offer for the television producer, the
junk-bond financed TV producer New World Films. In March, he made a $39 million
offer for the arty Kings Road Films. In April, he first floated the idea of
taking over MGM for a cool billion. In May, he had bid $220 for Television
Monte Carlo, which owned an Italian TV network.
As it turned out, none of these
announced deals had been actually consummated. He aborted the Golem production
deal a few months after it was announced. Ron Perlman outbid him for New World.
The Kings Road deal fell apart. The Dino de Laurentius rescue mission failed.
MGM accepted a bid from an Australian suitor, Quinex (which then failed to make
the down payment and went bankrupt.) The Television Monte Carlo deal also
evaporated. offer-- never got off the ground. And, adding insult to injury, the
French government blocked his acquisition of Pathe SA because he had not
accurately represented the principals behind the deal. But now, he found
another $1.2 billion to buy MGM. Where did the money come from?
In Hollywood, Parretti lives Great
Gatsby style-- when he is there. He bought a $8 mansion in Beverly Hills, where
he proudly takes visitors there to his walk-in steel vault to see paintings he
identifies as Picassos, Miros and Goyas. He lives there with Maria Ceccone, who
he has been married to for over 20 years,two daughters and son and Fabio
Serena, his 35 year old lawyer. (His wife, his 18 year old daughter, Valentina,
and Serena are also executives of his holding company.) He also leases a
$200,000 Rolls Royce for driving around town, and owns his own Italian
restaurant, Maderos, on the ground floor of the CMA building (which has a
private satellite hook-up to get Italian soccer games) and his own disco,
Tramps`
Like the hero of Gogol's "Dead
Souls", who spawns rumor after rumor about himself as he moves through the
Russian provinces trying to buy up rights to deceased serfs to further a
financial scheme, Parretti, trying to buy up near-dead film companies, has
stirred the collective imagination of Hollywood. "The word is the Mafia is
behind him," a top agent suggests; "Parretti is a creature of Credit
Lyonnaise," a studio executive theorizes, sent to America to salvage the bank's
bad loans to Cannon, De Larentius, New World and other shaky Hollywood
producers. "Parretti is laundering money for the drug cartel," a
Hollywood investment banker states, pointing out that movie theaters are cash
businesses, and what Parretti has bought in Cannon and Pathe is 800 movie
theaters. "He is fronting for Sylvio Berlusconi,"the Milanese media
king, an Italian director argues. "It's Qaddafi's oil money," a film
producer asserts. Parretti indeed seemed to be Hollywood's number one mystery.
The proliferation of Parretti rumors did not sit well with Alan Ladd, Jr., who
since January 1989 has been Pathe's co-chairman. Like his father in Shane, he
wasted no words. "Its all I hear. And its complete garbage", he said,
leaning forward on the couch of his plush new office at Pathe Communications on
San Vicenzo Drive. He had met Parretti at the home of Dino De Laurentius in
late 1988, and immediately accepted his offer to head Pathe. Next to him sat
his long time associate at the Ladd Company, Jay Canter-- Marlon Brando's first
agent-- who is vice president of Pathe. Both men were now in the odd position
of having to defend a stranger who they had met only a few months earlier.
Shaking his head in disbelief, Ladd cited the recent allegation in newspapers
that Parretti was involved with the Qaddafi. He explained "The reporter
mixed up two countries-- Liberia, where Parretti had a shipping businesses and
Libya". Parretti had nothing to do with Libya or Qaddafi, Ladd insisted.
He found the Mafia money whispers equally absurd. Why would the Mob put money
in someone as "high-profile" as Parretti, he asked. "Don't you
think I investigated before I took this job? He explained that in the Spring of
1989 he went to Europe with him in his gulfstream, which, he recalled, was
equipped with a kitchen where Parretti cooked spaghetti for everyone. During
the trip, Parretti handed Ladd a telephone-size book listing the hotels in the
Melia chain, which he claimed he owned. "There were hundreds of hotels,
and each of them represented real money", Ladd recounts. He in fact sat in
at a At a press conference in Cannes where Parretti suggested that these hotels
earned $300 million a year. There is "no mystery" where Parretti
money comes from, Ladd concluded.
As it turns out, however, Parretti
does not own the Melia hotel chain. Nor did he own it when he handed Ladd the
impressive Melia book. What had happened was that he, together with others, had
bought the Melia Group in 1987 but the hotels themselves, which were the mail
asset, were almost immediately resold to the Sol Hotel chain in a complicated
transaction that left Parretti and his associate owning the name
"Melia" and a few Spanish travel agencies and laundries that lost
money and were deeply in debt. According to the 1988 annual report of his
entire holding company, which included the "Melia Group", its net
worth was not anything like the $1.5 billion figure he reported to Variety, but
$3.6 million ( and even this meager total is based on questionable evaluations
of illiquid investment.) Instead of his businesses making an annual profit of
"$300 million", as he claimed at the press conference-- or a
cumulative profit of a billion dollars as he claimed in an interview in the
Italian newspaper, La Republica-- they had, according to this annual report,
actually lost money in both 1986 and 1987. It, moreover, had only $9000 in its
bank accounts and in short-term funds at the end of 1987 (the last time it
filed an annual report). But if the Melia hotels did not supply Parretti with
the $60 million or so of cash he used in his Hollywood buying spree, where did
he get it?
According to his birth certificate,
Giancarlo Parretti was born on October 26, 1940 in the town of Orvieto, Umbria,
about 100 miles north of Rome. His father, whom he introduced to Ladd, had been
a humble wine merchant (and still lived modestly in an apartment in Orvieto).
At the age of 17, without the benefit of any higher education, Parretti went to
work as a waiter. During the sixties, he says, he learned English working as a
ship's steward on the Queen Elizabeth and as a waiter at the Savoy Hotel in
London (though neither the Cunard Lines or the Savoy Hotel could find any
record of his employment). Then Parretti moved to Sicily where he got a job
waiting in a plush hotel in Syracusa owned by Palermo's political boss, Senator
Graziano Verzotto. By 1973, he had worked his way up to being manager of the
hotel and the aide de camp to Senator Verzotto. Senator Verzotto, who owned
Syracusa' football team and supervised Sicily's state owned mineral company,
then got into serious trouble. He was indicted for embezzling $3 million
dollars from the mineral company in Sicily and, to make matters worse, was
nearly gunned down by a team of presumably Mafia hit men. In 1975, he fled to
Lebanon, leaving Parretti in charge of his hotels and the soccer team.
After Verzotto disappeared,
Parretti went into the business of publishing weekly news letters, called
"Diario". Beginning first in Sicily, Parretti then went in partners
with Ceasare de Michealis, a key financier for the Parti Socialist Italia, or
PSI, which in coalition with the larger Christian Democrat Party, had run Italy
since World war II. Even though most of these "Diarios" had a
circulation of under a thousand readers, they carried advertising from
businessmen-- including those who wanted to curry favor with the PSI, which was
a far more entrepreneurial organization than its name might imply. It had
responsibility, within the political coalition that ran Italy, for overseeing a
number of Italian state-owned enterprises including ENI-- the Italian
equivalent Exxon combined with Dupont, which was the country's single largest
generator of wealth and foreign exchange.
Parretti here had a crucially
important connection: his partner's brother, Gianni de Michealis, now Italy's
Foreign Minister, who then, as the PSI's Minister for State Participations, was
in charge of ENI. De Michealis, a long-haired, jowly-faced intellectual, whose
extra-curriculum interest is international discotheques (a subject on which he
wrote a book), was in the late 1970s, because of his responsibility for ENI,
one of the most powerful men in the PSI. By hitching his wagon to this rising
star, Parretti moved into the inner sanctum of the party. He had been
especially active in its finances, serving for a time as the treasurer for its
Youth organization. He also became a member of the PSI's central committee,
where he took credit for helping to bring De Michealis' close friend, Benito
Craxi, to power as head of the party-- and Prime Minister. He also arranged for
ENI to help finance the take over the newspaper Il Globo, so it could support
the PSI-- but the deal never worked out. (It went bankrupt).
His dealings with ENI, and
association with De Michealis, eventually brought him into contact with his
future partner in international finance, Florio Fiorini. When they first met in
the late 1970s, Fiorini was the finance director of ENI-- a position he had
half for a decade. As such, he was responsible for depositing billions of
dollars in ENI funds in off-shore bank accounts. Part of this money, as it
later emerged in a Parliamentary investigation, came from off-the-books
kickbacks and skims from Saudi Arabia and Libya-- ENI's two major sources of
foreign oil-- and the off-shore accounts it went into benefitted PSI and other
politicians. In documents that came to light in the ensuing scandal, for
example, Fiorini, along with two other top ENI executives, had apparently
authorized the transfer of millions of dollars into a numbered account. #63369
in the Union Bank in Switzerland, which in February 1982 was shuttled into the
account of PSI politicians, including Prime Minister Benito Craxi, and then
wired to an anonymous fiduciary account in Hong Kong. Even if such
surreptitious transfers from state-owned enterprises to the coffers of
political parties is tacitly accepted in Italy as part of the
"system," and no wrong doing was involved, they gave Fiorini, and his
associates at ENI, a perspective on Italian politics, which includes the
routing of money between numbered accounts in Switzerland and Hong Kong.
In 1982, Parretti came to see
Fiorini on an urgent matter. He was in serious financial trouble. his
"Diario" newspaper, for which he had pledged Verzotto's former hotels
as collateral, were $3 million in debt-- and facing imminent bankruptcy.
Moreover, the Syracusa Football team which he headed, seemed to be missing
large sums of money. Subsequently, Parretti was arrested on charges of
falsifying the team's books and jailed for a week.
He explained to Fiorini that he had
a three billion lire saving certificate-- the equivalent of about $3 million--
that had been given to him, through the PSI, by an unnamed businessman but,
given his problems, he needed Fiorini's help in cashing it. Fiorini, who had
always thought of Parretti as "De Michealis man", took this as, he
explained, "a bit of PSI business". Using his formidable financial
connections, he sent Parretti to a small Sicilian bank which accepted the
certificate and gave him part of the money.
When the bank checked on the
certificate, it found that it was a crude forgery. "Three zeros had been
added to a certificate", according to Fiorini, changing a $3,000
certificate into a $3 million one. This debacle led to the re-arrest of
Parretti in July 1982; this time on charges with bank fraud. Even after he was
released, he was under tremendous pressure to reveal who gave him the
certificate. He again went to Fiorini, telling him he needed $27,000 to and go
to Hong Kong where De Michealis arranged a job for him at Italy's tuna fish
plant (which came under his authority as Minister for State Participations).
Fiorini provided him with money to get out of the country .
Shortly thereafter, Fiorini had his
own troubles at ENI. The Banco Ambrosiano, a bank in which Fiorini had placed
$160 million in off-shore deposits, announced it was in serious trouble, and
was missing over a billion dollars. As the government moved to place it in
bankruptcy, Fiorini became intent on saving the bank--and ENI's deposits. He
called its chairman, Roberto Calvi, who had become known as "God's
banker" because of his connections with the Vatican, and whom he had dealt
with before, and offered a plan whereby ENI would rescue the Banco Ambrosiano,
which he did not accept. Less than two weeks later, Calvi was found hanging
from a rope under Blackfriar's bridge in London, and, in the ensuing scandal,
ENI found it was missing $160 million, and Fiorini was forced to resign for his
unauthorized offer to Calvi.
Parretti stayed only briefly at his
sinecure in Hong Kong. In 1983, he turned up in Paris. His connections to the
PSI apparently still intact, if not strengthened, he became its Secretary in
France. As the "French Connection", as he explained it, he acted as
liaison with French Socialist businessmen and politicians, on one hand, and
their Italian counterparts, on the other. It was a particularly powerful
position to be in, especially now that Craxi was Prime Minister.
To aid in this liaison, Parretti
set up a shell company, called Interpart in 1984 with the assistance of another
PSI financial backer, Lamberto Mazza. It was strategically located in the 999
square mile kingdom of Luxembourg, which provides such corporations maximum
secrecy for their transactions. While this shell began with only $20,000 in
capital in 1984, at the end of the year, according to corporate statements,, $1
million in cash had been deposited in its account. Three months later, in April
1985, another $4 million materialized. And in December 1986, it received as
infusion of $55 million in cash. As this sixty million dollars flowed in, so
did Florio Fiorini, who, after buying his own shell company in Switzerland,
became a partner and officer of Interpart.
The Luxembourg money first was
discreetly channeled into a few select causes sponsored by French Socialist
politicians. For example, Parretti, the liaison for the PSI in France, made
available $7 million through Interpart subsidiary's, Interpart editions, to buy
the French Socialist newspaper, Le Matin; and then turned over 48 per cent of
the stock in this company to Paul Quiles, who had been the Defense Minister in
the Socialist Government. (In 1987, Le Matin, like so many of Parretti's other
publishing enterprises, went bust). Parretti also through Interpart established
a shell company for one of the Socialist's main financial backer, Max Theret,
called MTI, which was then used by Parretti and Fiorini to buy Pathe S.A with
financing supplied by the French state-owned Credit Lyonnaise Bank.
The same $60 million pot was also
used by Parretti in 1988 to buy his Hollywood empire. The a complicated series
of transaction began with Parretti's Interpart and Fiorini's Swiss holding
company buying 90% of the Melia Group in 1987 for $90 million (Parretti's share
was about $60 million). After selling the hotels, and making a small profit,
they used the proceeds to buy a bankrupt Madrid property company called Renta,
which became their holding company, and advanced $90 million to acquire Cannon
Films.
But where did Parretti get the $60
million in 1986? Up until that time, most of his businesses in Italy, including
his newsletters, football team, consulting company, and hotels wound up
bankrupt. He also seemed pressed for cash as late as February 1986 when he was
arrested at the Rome Airport on an extortion charge proceeding from a threat he
made to a bank to get a mere $20,000. Such desperation over what in Italy is
the price of a car suggests that Parretti had no great reserve of cash.
Parretti himself suggested in his
interview with me that the money transferred to Luxembourg came from a Panamian
holding company he controlled, also called Interpart, which, if anything,
raises the question of where the money in Panama came from. Nor are Interpart's
scant corporate records of any use in this regard. His own accountant described
the Luxembourg "headquarters" as an "empty room",
administered on paper by his wife and daughter. And his independent auditing at
the time of the injections, Arthur Anderson, noted its concern that there were
not any documents explaining the origin of money deposited in Interpart.
Florio Fiorini offered to answer
this $60 million question.
He arranged by fax to meet me on a
hot Saturday in July at precisely 4 p.m in Monte Carlo at "his
bank",the Seychelles Island bank. It turned out to be a dog-eared three
room suite on a sub-ground level floor of a large apartment building with a
travel poster of a palm tree on a beach in the Seychelles Islands plastered on
one wall. He was a large, chubby man, with a cherubic face, who, in his safari
jacket, reminded me of the character played by Robert Morley in the film
"Beat The Devil. "It seemed like an appropriate name for this
bank," Fiorini chuckled with disarming honesty, "since it is a shell
company". (One of his associates in this "bank", he later
mention, is Giovanni Mario Ricci, an Italian financier closely involved with
the government of the Seychelles) .
He told me, with a nothing-to-hide
angelic smile that he had recently come back from Tripoli in Libya (not
Liberia). He explained that he went to Libya on a regular basis because he was
a financial adviser to Qaddafi's Libyan-Arab Bank, and had indeed acted as an
intermediary in buying and selling assets for Qaddafi. He explained he was in a
rush because he was leaving the next day for an extensive vacation on a private
island in the Bahamas but he wanted to talk to me about Parretti.
Just two days before, a warrant had
been issued in Spain for the arrest of Parretti on the charge that he had been
smuggling currency to Andorra. Fiorini seemed embarrassed by this development
and eager to distance himself from Parretti. Pointing to a chart of his own
holding company, which had six rows of neat boxes in it, he circled the one
that contained the Melia-Renta-Cannon-Pathe entity, and said "This is only
a small part of our operation.". As he began telling me of his
relationship with Parretti, he took out a pad of graph paper, and neatly
outlined the story, as if he was writing out a confession.
He explained that their original
purpose was to put the money in safe commercial real estate in Spain-- which
was why he had bought Melia and Renta. He said that he had also envisioned
Cannon as primarily a conservative real estate investment based on the value of
theaters it owned in England, Italy, and the United States. But then Parretti
had become "infatuated by the movie media", as he put it. Instead of
quietly disposing of the film business, he had hire Alan Ladd, announced new
productions at a press conference in Cannes, and became part of the Hollywood
scene.
In reply to the sixty million
dollar question, he replied jovially "Where had the Luxembourg money come
from? That's easy. I made it for Parretti. I sold two Insurance companies for
him." But when he sketched out this deal, it was anything but easy.
How had Parretti gotten two
Insurance companies? Fiorini explained he had traded two broken-down hotels he
had owned in Sicily to Guissippi Cabassi, a Milanese businessman and financial
supporter of the Socialist Party, for the controlling blocks of stock in two
large Italian insurance companies, Ausonia Assurance and Intercontinale
Assurance.
How had Fiorini gotten involved? He
explained that in November 1985, he had just acquired a shell company that once
belonged to the Vatican, and, together with a group of partners from the Arab
Bank for International Investments,, he had organized it into an international
"lavanderie", as he put it, or laundry to make "soiled companies
sparkle". Parretti, interested in his services, had come to him with a
deal he could not refuse. In return for selling these insurance companies,
Parretti would pay Fiorini's Swiss holding company 50 per cent of the profits.
And, in addition, give Fiorini personally 20 per cent of his holding company,
Interpart (which would get the rest of the profits). This meant Fiorini would
get 60 per cent of the total profit-- an incredibly high fee for selling
Insurance companies listed on the Milan exchange.
Fiorini claims that he was
immediately able to sell these companies for a windfall profit of over $160
million, which, if true, might explain how Parretti's holding company got $60
million in Luxembourg (assuming there were some deductions for fees and other
expenses from his share of the putative $160 million). But, it turned out on
checking through the financial records of these insurance companies, at least
three flaws in his account.
First, Cabassi never his insurance
companies for Parretti's hotels. He paid what amounted to three million dollars
for the hotels, after provision for their' debts ( a sum coincidentally about
the same as Parretti needed to offset the forged saving certificate from the
unnamed Socialist financier) but he never actually got them. As he explained to
the Wall Street Journal "Parretti apparently wasn't in a position to sell
them to us." and, bearing this out, as late as 1986, the insurance
companies belonged to the Cabassi Group, as, in the case of Intercontinale
Assurance, is acknowledged in the annual report of Fiorini's own holding
company. Moreover, since the value of the stocks was listed on the exchange--
and hitting record highs-- Cabassi was well aware of their market value.
Second, if Fiorini's holding company
made a profit of $80 million on these transactions, it would show up in
financial results in its annual reports. But it didn't, not in 1986, 1987 or
1988. In fact, the whole profit over these three years averaged less than $7
million per year. So there couldn't have been any windfall.
Finally, and most definitive,
Parretti's holding company, Interpart, reported the $60 million in cash
deposits that materialized in 1984, 1985 and 1986, not as any sort of capital
gain or profit, but as a new investment for which shares of stock were issued
in return. While Fiorini and Parretti might have provided Cabassi and other
PSI-backers with a dazzling off-shore daisy-chain of shell companies in
Luxembourg, San Marino, Anguilla and Switzerland through which insurance shares
could be shuttled around, for whatever purpose, it did not produce the $60
million dollars infusion of capital in Luxembourg. So the mystery remained:
Whose anonymous money was it?
If Parretti himself did not have
millions of dollars to put into Interpart, as seems evident from his business
failures and bankruptcy problems, the Luxembourg money must have come from some
one else-- a party that, first of all, had $60 million hidden away in
Luxembourg or other discrete banking centers; and, secondly, who trusted
Parretti enough to let him act as custodian for it while it was transformed
into more conventional commercial real estate investments.
The key to this mystery lies in
Parretti's status in 1984 when cash first began coming into Interpart. At that
time, he was not primarily a usual businessman. He was the representative of a
political party: the PSI, which previously had taken care of him in Hong Kong
(where the PSI had at least one of its anonymous fiduciary accounts). To state
the relationship bluntly: The PSI was the principal, Parretti, its agent
abroad. Moreover, it was a connection that had persisted throughout most of
Parretti's business career. He had collected money for the PSI's Youth
Organization, published "Diario" newsletters that supported the PSI,
worked as a go-between for the PSI and ENI in arranging the take over of the
magazine, Il Globo, ran travel camps for PSI workers, and allied himself for
over a decade with Gianni De Michealis, whose faction prevailed in the PSI. Nor
did he act alone for Interpart: its original administrator was Lamberto Mazza--
who had served as a trusted financier for the PSI in Italy. And Interpart's
early disbursement of funds in France were hardly conventional business
investments; the money went directly to PSI's allies in the Socialist network,
such as Max Theret (who while facilitating Parretti's take over of Pathe was
indicted for inside trading in the take-over of Nelson Pelz Triangle industry
by the French state-owned Pechiney company).
Parretti's partner, Florio Fiorini,
also had an important involvement with the PSI. Fiorini, at ENI, along with ENI
President, Giorgio Mazzante, and his deputy, Leonardo Di Donna, helped run the
off-shore banking labyrinth through which ENI passed funds earmarked for the
PSI. It was along this money trail that the $70 million that ENI received
kickbacks from the Saudi Arabian oil sales agency, Petromin, moved in the late
1970s. Even after it leaked to the press in late 1979, and Mazzante was forced
to resign, another skimming arrangement was established, according to Fiorini,
and approved by the government because it meant "lower oil prices for
Italy". This time the deal was with Qaddafi's Libyan Oil Company. Rather
than direct kickbacks a la the Saudis, the Libyans agreed to defer 40 per cent
of the money ENI owed them for crude oil purchases for two years. If, for
example, ENI sold a barrel of Libyan oil to Italian consumers for $30, it paid
the Libyan oil agency only $18, and kept the balance of $12 in its own bank
account, earning interest. Fiorini estimated that by 1982 ENI was holding $3
billion of this Libyan money and, at the double-digit rates that existed in the
early 1980s, it was earning hundreds of millions of dollars of interest on it.
Part of this interest was concealed, or made "black", through simple
book-keeping artifices at the off-shore banks that held the money, and these
"black" funds, like the Saudi kickbacks, were then deposited in
designated numbered accounts for Italian politicians that were the
beneficiaries of the scheme (and Libyan officials that facilitated it).
Enter Roberto "God's
Banker" Calvi, whose Banco Ambrosiano, which was partly owned by the
Vatican, provided ENI with highly-discrete off-shore banking services. Fiorini
negotiated a deal with Calvi ENI deposits were transferred first to ENI
subsidiaries in Nassau, Dutch Antilles and Grand Cayman island and then to
Banco Ambrosiano's off-shore subsidiaries. By the early 1980s, ENI was
supplying these subsidiaries, including the branch in Luxembourg with well over
half of all its medium-term funds. But in 1982, everything suddenly changed
when the Banco Ambrosiano collapsed. Calvi died under a bridge in London,
auditors found $1.3 billion had disappeared from its Luxembourg branch--
including $160 million of ENI's deposits, and Fiorini was fired. The ensuing
financial scandal also left the parties with numbered accounts in off-shore
branches with a problem: they had to reclaim the "black" funds that
had been stashed away for them without arousing public attention. This, in
turn, required a front, one preferably veiled by the secrecy of Luxembourg's
banking laws, in which the money could be deposited and gradually be converted
into legitimate investments.
At our initial meeting at l'Circe,
Parretti had philosophized "life is like a movie. You can look at the
parts you like." The version that he preferred is a heroic saga that
traces a young waiter's miraculous rise, against all odds, to the commanding
heights of the international film business. The alternative version would be a
comedy of errors in which a political hack given the job of rescuing a slush
funds lost in bank crash winds up buying a bankrupt Hollywood company-- and a
disco, for good measure.
©2008 Edward Jay Epstein
Original article www.edwardjayepstein.com/archived/parretti_print.htm
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23 April
1990
What Makes Giancarlo Run?
By John Greenwald
Even by Hollywood standards for
intrigue, Giancarlo Parretti is a mogul wrapped in mystery. A former waiter who
has been accused several times of financial transgressions in his native Italy,
Parretti aroused suspense and ( skepticism last month when he disclosed his
agreement to buy MGM/UA Communications for $1.2 billion from financier Kirk
Kerkorian. But Parretti, 49, befuddled his doubters last week when he persuaded
Time Warner to guarantee a $650 million loan to help his Los Angeles company,
Pathe Communications, carry out the deal. "Who would ever have imagined
that Pathe would buy MGM? Nobody!" exults Parretti. "Everybody
laughed when I first mentioned it."
The loan guarantee came just ten
days after a Naples court had sentenced Parretti to three years and ten months
in prison for fraudulently declaring the bankruptcy of a chain of Italian
newspapers in 1981. The court ruled that the financier had falsified figures on
the newspapers' balance sheets. Parretti remains free while he appeals the
conviction, which could take several years. In an interview last week in his
Beverly Hills office, the brash mogul dismissed the case as "una buffonata
-- a joke!"
A former headwaiter in the Sicilian
city of Syracuse, Parretti ventured into business in the 1970s by acquiring
three hotels in the region. People who wondered where he got the money
speculated that his source was the Mafia, a rumor he denies. Parretti was later
accused of falsifying the balance sheet of a Syracuse soccer team and was
charged with fraud in the failure of a Palermo savings bank. Neither allegation
stood up. During the 1980s, the flamboyant Parretti built a fortune, evidently
by taking over and restructuring troubled European banks and insurance
companies. At the same time, he became partners with Florio Fiorini, chairman
of Sasea Holding, a Swiss investment firm, in ventures ranging from travel to
real estate.
Parretti plunged into show business
in 1988, paying $200 million for the Cannon Group, a faltering ministudio in
Los Angeles. He paid $160 million later that year for French-held Pathe Cinema,
the owner of 1,500 European movie theaters. By adding MGM/UA, Parretti plans to
create a global entertainment empire.
In return for its financial
support, Time Warner will gain access to 3,000 films in the Pathe and MGM/UA
libraries, which the company will distribute worldwide through theaters, TV and
videocassettes. Among the movies: West Side Story, Midnight Cowboy, Annie Hall
and the James Bond, Pink Panther and Rocky series. Time Warner has agreed to
help Parretti arrange to borrow an additional $200 million to produce new Pathe
and MGM/UA films, which Time Warner would help distribute.
Time Warner's involvement drew
mixed reviews. One research firm, Standard & Poor's, noting that the new financial
commitment came on top of $10.6 billion that the company borrowed in last
year's merger of Time Inc. and Warner Communications, placed some $7 billion of
Time Warner bonds and preferred stock on S&P CreditWatch. That status means
the company will keep a close eye on Time Warner to determine whether its
credit rating should be downgraded, which would increase its cost of borrowing.
The stock market, however,
applauded the Pathe-MGM/UA deal. The shares of all three participants rose
during the week. Pathe climbed 1/2 point, to 4 3/ 4; MGM/UA gained 1 7/8, to 18
1/2, and Time Warner rose 5 3/8, to 98 3/8. Investors were apparently betting
that the adventurous transaction was not another buffonata, but a boffo
financial hit for everyone involved.
With reporting by Jordan Bonfante/Los Angeles and Karen Wolman/Rome
©2008 Time Inc.
Original
article http://www.time.com/time/magazine/article/0,9171,969937,00.html
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June 7, 1990
The Unlikely Deal for MGM
By ROGER
COHEN, SPECIAL TO THE NEW YORK TIMES
When Giancarlo Parretti, a
garrulous Italian businessman who says he plans to build the world's most powerful
entertainment company, announced a tender offer for the MGM/UA Communications
Company three months ago, there was widespread skepticism about whether the
deal would be completed.
A humble hotelier in Sicily just a
decade ago, Mr. Parretti has had repeated problems with legal and financial
authorities in at least three European countries. Indeed, two months ago, he
was convicted of fraudulent bankruptcy in Naples and sentenced to almost four
years in jail. Where, the skeptics asked, would such a man raise the $1.2
billion price?
But Mr. Parretti has apparently
come up with the money, and people close to the deal said that on Thursday he
would almost certainly complete the acquisition of MGM/UA, the Hollywood movie
production company that owns a library with about 1,000 films from the Chaplin
classic ''Modern Times'' to ''Midnight Cowboy'' and ''Rain Man.''
Help From Time Warner
The purchase was made possible
largely because of help from Time Warner Inc., which has agreed to arrange for
and guarantee a $650 million loan to Mr. Parretti's company, the Pathe
Communications Corporation. A Time Warner executive said the decision to
cooperate with Mr. Parretti was the subject of heated debate within the
company.
Will the money be enough? Analysts
think the problems facing Mr. Parretti are threefold: winning an appeal he has
lodged against his conviction in Italy, resisting parliamentary and financial
investigations into his affairs in France, and paying off his loans while still
finding the several hundred million dollars needed to revive MGM/UA. The
studio, which has been in limbo as the Los Angeles financier Kirk Kerkorian
sought to sell it over the last two years, lost $75 million last year. Pathe,
meanwhile, lost $32 million. But even the fact that the deal will go through,
barring a last-minute snag, is startling to many who have followed the dealings
of the 48-year-old Mr. Parretti in recent years.
''The MGM purchase is quite
astonishing,'' said Michel Maquil, secretary general of the Luxembourg Stock
Exchange, which last year delisted the stock of one of Mr. Parretti's holding
companies for failing to provide financial information.
''He is like a bar of soap in
water,'' Mr. Maquil said. ''Every time you try to get a grip, he slips through
your fingers.''
Mr. Parretti declined requests for
an interview. But he stressed through aides that he considers himself to be
innocent of any wrongdoing and that he is appealing his April conviction. He
was sentenced to three years and 10 months in prison for fraud in the 1981
collapse of a Naples newspaper.
Other Pathe officers also declined
to be interviewed. Explaining why, Ted Cohen, executive vice president and
assistant general counsel, said, ''In terms of public relations, this has
become a mess.''
And a spokesman for Pathe, Craig
Parsons, would only discuss the MGM deal. ''The closing is definitely
Thursday,'' he said, adding that no American commercial or investment bank had
advised Mr. Parretti on the transaction, an unusual situation for so large a deal.
All the money other than that
arranged by Time Warner has been raised through the European holding companies
of Mr. Parretti and his closest business associate, Florio Fiorini, 48, who is
chairman of Pathe.
Parretti's Farflung Holdings
Mr. Parretti, the son of a wine
merchant from the medieval town of Orvieto who started out as a waiter , built
farflung holdings that now include not only production studios and movie
theaters in the United States and Europe but also real estate and travel
agencies in Europe. He has offered only murky indications as to where the money
has come from to finance his accumulation of assets over the last five years.
The precise state of Mr. Parretti's
financial affairs is unclear because he operates chiefly through a closely held
holding company based in Luxembourg, Comfinance S.A. But he has said in filings
to the Securities and Exchange Commission that he and his wife, Maria Cecconi,
own about 80 percent of Comfinance, which in turn owns 88 percent of Pathe
Communications.
Mr. Parretti and Mr. Fiorini have
used Comfinance and Mr. Fiorini's Geneva-based Sasea holding companies as the
main financial bases for their expansion into Spanish real estate (the Renta
S.A. group), French movies (Pathe-Cinema), and the United States entertainment
business (Pathe Communications).
They have left some confusion in
their wake. According to records of the Luxembourg Stock Exchange, one of Mr.
Parretti's holding companies, originally called Finatourinvest and later
renamed Interpart, was delisted on Feb. 28, 1989. Interpart is sometimes
described in United States filings as the predecessor of the holding company
now called Comfinance S.A., which has been used to raise money for the MGM
purchase.
'A Total Outsider'
Mr. Parretti has said he
voluntarily withdrew the stock from the exchange last year, but Mr. Maquil,
confirming a report last month in the Italian news magazine Europeo, said this
was ''absolutely untrue.''
In his native country, Mr. Parretti
is little known in official banking circles, where one leading financier
described his as ''a total outsider.'' In the Netherlands, a company from his
group, named Bobel, was suspended last year from the Amsterdam Stock Exchange because
of a lack of adequate financial information.
And in France, where Mr. Parretti
has extensive movie interests through Pathe-France Holding, the vice president
of the Finance Committee of the Chamber of Deputies, Francois d'Aubert, called
this week for the establishment of a parliamentary committee of inquiry into
the Italian's activities. Pathe-France Holding has a 48 percent stake in
Pathe-Cinema, a publicly traded company that is the country's third-largest
cinema group.
The recent fraud conviction in
Naples involved the newspaper Diario, which went bankrupt in 1981, Mr. Parretti
was a managing director of the newspaper and he was convicted of failing to
provide timely information in the company's financial disclosures.
Misjudgment by Advisers
Mr. Parretti's advisers appear to
have misjudged the outcome of the case. A March 14 Pathe Communications filing
to the S.E.C. stated that Mr. Parretti's Italian counsel had advised ''that, in
his opinion, Mr. Parretti will be acquitted of this charge on the basis of his
non-involvement.'' The conviction came three weeks later. The S.E.C. has made
no objection to the Pathe-MGM deal.
The conviction followed a number of
other brushes with the law, including misdemeanor offenses involving a series
of bounced checks in the late 1970's and charges - later dropped - of
falsifying the balance sheet of the soccer team he had owned on Sicily. Mr.
Parretti has spent several days in Italian jails.
Mr. Parretti, who spent last
weekend at a Warner Brothers party in Burbank before going on to San Francisco
to attend a lunch for Mikhail S. Gorbachev, dismisses much of the furor around
him as the griping of the envious, his aides said.
In Hollywood, where he started in
late 1987 by buying and investing $250 million in the Cannon Group
movie-production company and then renaming it Pathe Communications, he has
gained at least one important ally: Warner Brothers.
Ties to Time Warner
Mr. Parretti has described Steven
J, Ross, the co-chairman of Warner Brothers' parent, Time Warner, as a good
friend. Time Warner, however, denies there is any close friendship between the
two. In any case, without Time Warner Mr. Parretti might have been hard pressed
to raise the money for MGM.
Warner Brothers is guaranteeing a
$650 million loan to Pathe in return for distribution rights to the extensive
MGM/UA film library, which includes such classics as the James Bond series, the
Pink Panther movies and ''One Flew Over the Cuckoo's Nest.''
As security for the loan, Warner
has the United Artists film library, which it could end up owning if Mr.
Parretti runs into financial trouble. And Warner also has warrants that could
give it 20 percent of Pathe.
Much Discussion
''There was a lot of discussion at
the Time Warner level as to whether we should do this deal,'' said a Warner
official, who spoke on the condition he not be identified. ''There were some
people on the board who really did not want to do business with Parretti. But
it is a very good deal, and that in the end swayed it.''
He added that the accord presented
Warner with little risk and an opportunity to make a great deal of money from
distribution of the MGM/UA library.
''The net we can garner on these
films is enormous,'' he said. ''But I don't think it would have happened if
Parretti's conviction had come before all this started, rather than when we
were a long way down the road on a very, very good deal.''
Should Time Warner be supporting a
convicted man, albeit one who is appealing and protesting his innocence
vigorously?
'A Brilliant Man'
Jack Gilardi, executive vice
president of the International Creative Management talent agency, was
supportive of the Italian entrepreneur. He described Mr. Parretti as ''a
brilliant man, always charged up, always courteous. He is a breath of fresh air
because of his enthusiasm.''
Meanwhile, Mr. Parretti has
impressed people with his seriousness by hiring the respected producer Alan
Ladd Jr. to head movie-making at Pathe.
Still, doubts persist about Mr.
Parretti's past. Any attempts to bring clarity to the question of how Mr.
Parretti moved from the Sicilian hotel business in the late 1970's to
international entrepreneur in the mid-1980's have run up against a web of
contradictory statements from him and Mr. Fiorini, a former finance director of
the Italian ENI oil group.
What is clear is that real estate,
hotels and two Italian insurance companies were bought and sold by the two men
in the mid-1980's at some profit - perhaps as much as $60 million, which was
then invested through Comfinance and Sasea.
Some Skepticism
As for Mr. Parretti's prospects if
the MGM/UA deal does go through, some industry people are skeptical, ''I don't
see how Parretti is going to come up with the money to make movies,'' said
Thomas K. Levine, vice president of the Carolco movie company.
But another movie executive, who
insisted on anonymity, held a different view: ''In this town, if somebody like
Parretti is able to come along and buy a company and become friends with Steve
Ross, so reaching the inner sanctum, then God bless him, he can succeed. That's
Hollywood.''
©2008 The New
York Times Company
Original article http://query.nytimes.com/gst/fullpage.html?res=9C0CE5DE123CF934A35755C0A966958260
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April 11, 1991
Pathe Chief Accused in Suit
AP
The president of the Pathe
Communications Corporation reportedly completed a $1.4 billion buyout of MGM/ UA
using MGM/UA shares he did not yet own, a newspaper reported today.
The Italian financier Giancarlo
Parretti, who is Pathe's president, traded 10 million shares of the MGM/ UA
Communications Corporation to obtain an insurance bond three days before Pathe
acquired MGM/UA, the film studio, in November, according to documents in a
lawsuit obtained by The Los Angeles Times.
The documents are part of a lawsuit
filed in January in the Cook Islands by Century Insurance Ltd. The compan
operates from Brisbane, Australia, but is incorporated in the Cook Islands, a
group of islands off New Zealand.
In the lawsuit, Century's chief
executive, Donald A. Davies, said Mr. Parretti had agreed to pay $1.75 million
for a $175 million insurance bond. He said Mr. Parretti had also agreed to use
as collateral 30 million shares of stock, including the 10 million MGM/ UA
shares. The bond was to guarantee sales of future television and movie rights
negotiated with various foreign companies, the newspaper said.